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Golden Gardens Give Tunes a Dreamy Treatment on "The Covers"

They say a great cover is one that does something new with a song, without destroying its essence. Otherworldly shoegazers Golden Gardens did just that on their six-song EP, The Covers, released in December, despite a selection of songs that isn’t exactly intuitive. Golden Gardens’ greatest talent lies in their ability to create dreamscapes out of soundscapes, something that serves them well as they take on other artists’ works – after the first track, it’s easy to forget that these are songs you’ve heard before. The band interprets the songs of Creepshow, Morrissey, Red House Painters, Tears for Fears, Hole and Julee Cruse, with each piece receiving the same gauzy treatment typical of the band’s original material. Every listen creates a different sub-universe built on rippling guitar play and careful percussion. The dream-pop duo defy all skepticism and cover Hole successfully – on “Violet”, Audrey Bramble achieves the perfect tone, translating Courtney Love’s anguished howls through her own diaphanously pure vocals. Bramble and bandmate Gregg Neville released their first full-length album, Between the Siren and the Amulet, last August. With Neville’s recent relocation to Seattle, the band is looking forward to more shows in the city, starting with a March 4 appearance at The Crocodile.

Kate Shepherd

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August 2011
Broken Water
Peripheral Star

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 Released March 29th, 2011 by Perennial Records, Peripheral Star is an EP to be reckoned with, and its craftsmanship deserves more than a passive listen from the music community at large.  Broken Water, the three-piece from Olympia, Washington, consisting of Kanako-drums/vocals, Abigail-bass/vocals, Jon-guitar/vocals, have composed some of the most well-balanced, enthralling shoegaze rock to come from the Northwest, or the rest of the nation for that matter, in a long time.  

Seattle is not known for producing shoegaze bands of exceptional merit- traditionally, and oftentimes derisively, the Seattle scene has been depicted by music critics as the comically woodsy, rootsy home of acoustic guitar fingerpickers and gentle harmonizers belting out their forest-loving tunes in picturesque locales abundant around Washington.  The astronomical rise to international fame of The Head and the Heart do nothing in service of changing this image.     

 

The song "Kansas" opens with an ominous, vaguely foreboding bass riff that dominates the vibe as Jon's sharp guitar slashes into life, follows a descending scale, and then cuts again.  In mood, this song, and much of what Broken Water do, is related to the whole of the very great album by Apse entitled Spirit.  What Apse failed to do at times that Broken Water is highly skilled at doing is adding enough muscle to their compositions, adding the split-the-sky eruptions that rise above the beautiful, warbling din, thereby breaking the listener through the tranquil or torpid threshold that can beset anyone listening to large doses of music.       

 

"Okane No" absolutely explodes with guitar-string-bending riffs swimming in reverb, and not just the placidly adopted reverb sounds of many bands in this genre, but the kind of labored over sound that has a specific place, is used for a specific purpose.  Broken Water's sound teeters on a precipice that demands a high level of skill- their music is a tempered chaos, augmented by exceptional song-writing abilities that have a knack for movement within music, all combing to deliver high-impact listening bliss. 


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Mother Love Bone
Heavenly
Beat Happening
X-15
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The Fartz Billy Rancher and the Unreal Gods
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Nirvana Pete Droge
Soundgarden Meredith Brooks
Mudhoney
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Presidents of the USA
Bikini Kill Elliot Smith
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