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Friends of Tricycle Records Compilation In Search of Music Submissions

The San Francisco based record label, Tricycle Records is in search of submissions for their upcoming compilation, The Friends of Tricycle Records Compilation. This will be the 5th compilation in the label's series. If you want to send your music to the label for consideration, go directly to their submission page!

http://www.tricyclerecords.com/friendssubmission/

The Friends of Tricycle Records Compilation is about building the Bay Area music scene. We are looking for new and/or unreleased songs from Bay Area / Northern California artists only. All genres accepted. This is offered as a free promotional download to help artists gain visibility in the local and national music scene. - Julie Schuchard Co-Founder Tricycle Records





Festival Debut: Gathering of The Tribes at Public Works in San Francisco - 9/13

Editor's Note: Jonathan Cárdenas of Pow Magazine and San Francisco Great Society put a lot of time into curating this exclusive peek at the upcoming festival, Gathering of the Tribes. This fest celebrates and works to promote and preserve the spirit of psych music in San Francisco. Founder, Dennis Gonzales is very passionate about his work and his efforts to support psych musicians from all over the US. The Bay Area is lucky to have him and the community of amazing promoters and musicians who help keep the spirit and tradition of supportive, familial music and arts communities alive and well. -je

The Gathering Of The Tribes is a festival centralized exclusively in itself and its own breed of musicians and artists. San Francisco has had other festivals in past years, but this one aims to showcase the Bay Area’s breed of psychedelia and its sub-genres, as well as celebrate its musical and artistic ancestry. The name is borrowed, or you could even say revitalized—resurrected—from the Human Be-In that took place in Golden Gate Park, January 14, 1967. This is when Haight-Ashbury became symbolically immortalized as a counter-culture mecca. Our festival celebrates San Francisco’s past and present, and aims to push forward its music and arts in a positive and progressive direction, preserving it for the good of the Bay Area and to keep things groovy.

“We are the San Francisco Preservation Society—God save the Acid Tests, Beatniks and notoriety.”

Hopefully you got that reference. But no, we’re the San Francisco Great Society. 

Founder, Dennis Gonzales: I've been running Pow Magazine since 1986 and being entrenched in the music community for several years as a social media journalist, I can tell you SF music is not only alive, it is about to explode into a new movement unlike anything seen since the first music scene in 1965. Everything about our Society and our festival is a familial, grass roots effort.  Amoeba is sponsoring the event—they too have promoted it on their Facebook page as well as Twitter. Pow Magazine, Counter Culture Artist Management, and Innerlight Presents are altogether presenting this festival. We have reached out to the best of the Bay, and most have said “yes.”

Clay Andrews of The Spiral Electric and Innerlight Presents: If the festival is comprised of bands that are all touring and far away, and everybody has all their records—that’s great and all; you have to bring people to the event, but at the same time it’s like—don’t just throw a fest where you just bring an import of things because that’s not really doing anything for the local scene. It’s not exposing people to what’s actually happening right now in their backyards.

Derek See SF DJ, musician and music collector: One thing I’m especially excited about is hearing and meeting bands that I don’t know even though they're local. Because of what i do for a living, i have to get up real early in the morning on weekends—I do go out and see live music when I can, but never as much as I’d like to, whereas at this festival I’m just super stoked to be able to experience and hang out with like-minded folks.

Performing at SFGS: Gathering of The Tribes
at Public Works in San Francisco on September 13th

The Gentle Cycle
Buzzmutt
The Spiral Electric
LSD and the Search for God
Down and Outlaws
Cellar Doors
Down Dirty Shake
The Love Dimension
Mark Nelsen
Sea Dramas
California Raga Association
Lee Gallagher and the Hallelujah
The Green Door
Carlton Melton
Mystery Flavors
The She’s
Electric Shepherd
Zodiac Death Valley

Visuals by:

White Light Prism - vimeo.com/user6728976
Mad Alchemy - www.madalchemy.net
Andy Puls - www.videopaws.com

DJs:

Abel Oleson
Derek See
Michael Tarin





Portland DJ Alex Rehberg plays Sublimate party at The Branx on 07.30 with Eprom

Alex Rehberg has been gaining steam in the world of hybrid bass music. His sound delves into the dark textures of drum and bass. Though it is at similar tempos to DnB, much of his work actually explores the half time rhythms. What he creates is sonically vast while maintaining a brooding minimalism. As one of the founding members of Sublimate, a local DJ collective, you can catch him playing live at various venues in town. The next Sublimate show coming up July 30th at The Branx features another PDX resident and crowd favorite, EPROM, as well as Charleroi based producer Alix Perez. This is sure to be a party so don’t miss out! - Nathaniel Clubine

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The Best Dancers - ‘Now Kiss’ Video in the making

The brothers Govea and sax-man Mark Macomber are taking the vibe back and making it sexy. This live PA power trio are set to release their first full length this fall. In support, they are throwing a make-out party and shooting a video for the first single ‘Now Kiss’. This is just how they roll. Expect a proper mix of funk and electro via live bass and saxophone, vocoders, and a slew of controllers.  Don’t miss a beat with The Best Dancers. Baby making music at it’s finest.

Check out their latest track, “Love Knife” featuring Jay Murphy of Up Until Now, featured on Tomahawk Recordings - Rainmakers Vol.1 streaming below, and keep yours peeled for the video release of their first single ‘Now Kiss’ off the new album as well as future events!





We Danced the Night Away with Ezra Bell, The Bevelers and Fanno Creek

Music like the music that Ezra Bell makes is living proof that not all musicians need to hide behind heavy effects: fuzz, distortion, reverb, and even auto-tune to make music that people really enjoy listening to, and that was very apparent at their EP release last Wednesday. They played alongside the Bevelers and Fanno Creek, gracing Mississippi Studios with some deeply beautiful, danceable and heartfelt tunes.

The Bevelers played first as the crowd filtered in, and although the two-piece group has a soft demeanor, it was impossible not to pay attention. The foundation of their whole set is their two beautiful voices creating harmonies so sad and lovely at the same time that you want to get lost in the world that their voices create.

Ezra Bell played second in the evening when attendance was at its peak, kicking off their set with a few familiar songs. Ezra Bell is such a complex machinery of humans and instruments and it seems like having 7 people on stage, something shouldn’t work about their set-up. But everything works. Their music is complicated yet not cacophonous, focusing more on interesting sound pairings than everyone fighting for focus. Even the bass and drums took turns being the lead rhythmic force of a song, which felt uncommon, but was just one of many facets of their music that sets them apart from other folk-pop bands around Portland and beyond.

The audience at Mississippi Studios was stoked to see them, cheering loudly between songs and singing along with their older music, which sounds every bit as tight as their recordings. It’s rare that a local band can get an entire audience to dance along rather than stand stoically, arms crossed, but it’s really hard not to dance when you listen to them.

Fanno Creek ended the night with a surfier, and less folk influenced set by comparison. Ezra Bell was the ideal middle point between Fanno Creek and the Bevelers because unlike the previous bands, Fanno Creek is heavier and more bluesy. They were the perfect choice to end the night though, because, despite a big chunk of the audience leaving, those who stayed were ready to dance and Fanno Creek is dance-y as hell.

Together, all three bands were a match made in lineup heaven, giving the crowd a solid range of folk and pop music to groove along to all night long. You can check out Ezra Bell’s new EP, We Came by Canoe here:

- Photos and story by Sarah Eaton

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