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Air Devi writes songs about moving and mosquitos

Air Devi is both a band and a person which is like a PJ Harvey kind of deal. And also like PJ Harvey, she's got some serious musical and songwriting chops. Air Devi, the person, is alternatiely know as Devi Majeske and she's a violinist, sitarist, guitarist, bass guitarist, keyboardist, and a fairly recent U. Penn grad who writes cool songs that come across pretty laid back at first but then get under your skin and into your heart and head. Like on the recent single “Mosquitos in the Backyard,” a song that floats by like a big marshmallow cloud and with images of “wash lines swaying” and “lush perfume hanging” to match. Except when you dig a little deeper it's not all strawberries and cream because the song appears to either be about contracting malaria and/or it's a pretty brutal take down of a pest and narcissist with lines like “you’ll feed on anything that breathes / you never loved anything." Another clever touch is how the choruses sound a little bit like a buzzing mosquito with the chopped-up guitar chords and circling bass line on the high strings so there's much to comtemplate here.

Air Devi draws from diverse musical roots ranging from first-wave punk to Bollywood soundtracks to bedroom singer-songwriter pop to folkie psychedelia but there’s one recurring motif to my ears in how she/they often combine a blissed out vibe in the music and vocals with lyrics that are a series of sharply observed slices-of-life and streams-of-consciousness--pulling from disperate stands of thought and stands of identity and even from different languages with code-switching into French and Gujarati on a handful of songs. 

The latter Indo-language is heard on “Move Without Place," a song that rotates gracefully between styles—the Gujarati comes at the end of a sequence that moves first from ambient indie pop to a syncopated baggy beat with a Bollywood-like vocal melody and then Air Devi wondering aloud “Am I colonizable? Capitalizable?” when everything suddenly stops for a split-second and a bell chimes and then it goes into what sounds like traditional Hindustani music complete with dholak drumming, which is simlilar to a tabla but double-headed, and electric guitar and entrancing ornamented singing but then it all unwinds down to a single repeated guitar note and then back to the syncopated beat with the amibient indie pop backing and back around again. The restless musical arrangement perfectly captures the theme of the song to "move without place [and] make my own space" even if one's skin and the whole world itself is "splintered" and "sensitive."

It's all equally visceral and heady stuff--a dialectic that can be applied to much of Air Devi's music in my humble opinion. But you can make up your own mind by listening to the two aforementioned singles and then 2020’s Swanning About EP above ("No Clearances" is a particuarly lovely statement of purpose). And if you need more you can check out earlier singles like "Standoffish" and "Alchemist" and the stripped-down DIY of 2018's Chicken Nuggies & Rosé EP with some of its contents later rearranged in full-band form on Swanning such as "My Landlord Is An Asshole!" and who can really argue with a sentiment like that. And then, if that's not enough, you can dig into Air Devi's Soundcloud page and find even earlier works like the anti-Putin diss track "Kremlin Bop" that doubles as a Ramones-like sing-a-long with the title perhaps even being an homage to said band. 


But hey let’s not fixate on the past because cheap nostalgia is so 2020. And plus it'll be even more interesting to see and hear what Air Devi does next. (Jason Lee)

 





Queen Mob bring on the "Pop Sickle"

Queen Mob are a two-piece from Psychedelphia, who as individuals go by the names Beth and Colin, and if they placed a band personals ad it'd probably read something like “freak-folk-shoegaze-vaporwave band seeks absolutely no one because we don’t collaborate and we don’t cooperate.” 

Over the past year Queen Mob have released one album and one EP (Easy, Liger and Against A Pale Background) and three singles (“Comeback,” “Sidecar,” and “Pop Sickle”) the last of which I’m declaring to be the best runaway-carousel/broken-calliope music I’ve heard since MGMT’s “Lady Dada’s Nightmare”. 

In their recorded work to date the band have already demonstrated impressive range by alternately sounding like an inebriated Beck, an inebriated Swervedriver, and an inebriated Jandek (so, just, Jandek). Or maybe instead of inebriated they're just experimental. It's not really our business how they get to that place. 

Beth herself describes the single above as “haunted dystopian electronic music” and that strikes me as pretty accurate for their lastest music. So hop on to the merry-go-round and hold to your horse pole becuase Queen Mob will take you on a ride. (Jason Lee)





Action/Adventure "Poser"

Action/Adventure have released visuals for the lead single, "Poser", from their forthcoming EP "Pulling Focus", which is due out on April 30th via Pure Noise.

This is the Pop Punk of Blake Evaristo, Brompton Jackson, Oren Trace, Manny Avila, and Adrian Brown.

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Tiny Kingdoms "All I Know"

Tiny Kingdoms are back with a new single called "All I Know", which is accompanied by the Alex Zarek video below. This is the group's first single of 2021, sixth since releasing their most recent EP, "Realms", back in 2018.

The group blends Pop Punk with Alt Rock and Emo to create a sound all their own.

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V.V. Lightbody "Really Do Care"

V.V. Lightbody (aka Vivian McConnell) has released a new single called "Really Do Care" via Acrophase Records. This is actually the lone B-Side from her 2020 Sophomore LP, Make a Shrine or Burn It, touches on the fear of commitment and troubling ways we cope with it.

For this track she enlisted the help of Juan Solorzano (Slide Guitar), Nate Friedman (Drums & Percussion), Mike Harmon (Bass), Evan Metz (Guitar), Dan Pierson (Piano), and Emma Hospelhorn (Flute).

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