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Grapetooth Signs to Polyvinyl

Polyvinyl announced yesterday that they had signed Grapetooth (aka Clay Frankel and Chris Bailoni of Twin Peaks). In a released statement the duo said that they are"very stirred and excited to be a part of the honorable Polyvinyl family”. They have been building hype for nearly year with the release of two infectious singles, “Violent” and “Trouble”, and according to the label we should be expecting a debut album this fall.

You can catch Grapetooth on July 21st at Lincoln Hall with Rookie and James Swanberg.


Smug Joe

Smug Joe is the electro-pop solo project from Joey Lieberman of Bad Bad Meow. This week he released his latest EP, “Surface Level Feelings”. The EP’s lead single is called “Faker” and has a crazy bounce castle based video below. The is a departure from his work with Bad Bad Meow being much more beat driven and synth-laden.


The Deli Philly's Featured Artist(s) Poll Winner: Bern & the Bastards

Folk-punk satirist Bern the Bastard has always embraced his “illegitimacy as an artist”. Finding inspiration from the local music community, Bern & the Bastards dropped their politically-charged You’re Only As Good As Your Propaganda! EP this past spring. And while Bern continues to self-loathe about his part in the gentrification of Philadelphia, he has also picked up guitar duty with theatrical alt rockers Molly Rhythm. To learn more about the origins of this music-loving, George R. R. Martin-reading “bastard,” you can check out our recent interview with The Deli Philly's Featured Artist Poll Winner below.

The Deli: How did you start making music? 

Bern the Bastard: I started playing guitar in high school. When I moved to Philly, my band from college had just broken up, and a friend took me to go see Molly Rhythm at Connie's Ric Rac.  

The day after, I wrote “Lobotomy Blues,” and the following Monday, I went to the singer's open mic at The Fire to perform it. I spent the next few months writing and testing out songs at open mics with my acoustic guitar as Bern the Bastard.

TD: Where did the name Bern & the Bastards come from? 

BtB: Well... I really like alliteration. It started as Bern the Bastard, though I always intended to make Bern AND the Bastards if the backing band ever showed up... and they did at the jam sessions organized by Mike Ortiz. 

I was reading A Song of Ice and Fire when I came up with the name... probably why the title "bastard" seemed so appealing. Btw, my Dad is actually an illegitimate child named Bernard, so there's that. As a musician, I felt like a Bastard. I had no clout, no connections, and a rowdy ugly delivery, but I didn't care. I embraced my illegitimacy as an artist, and well, here we are.

TD: What are your biggest musical influences?

BtB: Playing folk punk in Philadelphia, Mischief Brew has been a big influence. My latest release, You're Only As Good As Your Propaganda!, probably sounds like a bad Leftover Crack EP. Jello Biafra's another big influence... I've always been fond of satire. 

TD: What artists (local, national and/or international) are you currently 

listening to?

BtB: Let's see... we'll start with the homies, Molly Rhythm and Moron Girls from Trenton, fellow Philadelphians Trash Boy, Felipe Pupo, Malcolm Culleton, Erin Incoherent, The Plibmen, Dirty Soap, Rasan in the Hey Day, Assemble and The Lot. 

Will Wood and the Tapeworms, The Apes of The State, Escape from the Zoo. Our friends from Quebec, Cirrhose et Cendrier and Bucky Harris. Definitely leaving some stuff out here, but list could probably go on ad infinitum... 

TD: What's the first concert that you ever attended and first album that you ever bought?

BtB: My Dad took me to go see The Who when I was a kid, and gave me a copy of Pink Floyd's The Wall. He definitely taught me about the finer points of Dad rock. 

I honestly can't remember the first album I bought... we burnt a lot of CDs back in those days. Don Chin gave me a ska mix once, that was cool #donchin... it was Streetlight Manefesto, Reel Big Fish, and Sublime if I remember correctly.

TD: What do you love about Philly?

BtB: Bongo Billy.

TD: What do you hate about Philly?

BtB: Gentrification and my unfortunate place in it.

TD: What are your plans for 2018?

BtB: I wanna get writing again... just not sure what the next thing is yet. Been meaning to do an acoustic album at some point, so there's that.

I started playing guitar with Molly Rhythm recently, so I'm excited to play and write with them. We're going back up to Canada at the end of the summer.

So yeah, more music stuff.

TD: What was your most memorable live show?

BtB: Our EP release show in April got pretty crazy. We crammed 6 acts onto the bill following a play performed earlier that night. By the time we got on the stage, people were just ready to lose their shit. Friends were singing lyrics back to me, keeping the pit going, jumping on stage. I broke a string during the encore, ditched the guitar, ran into the crowd, and the homies picked me up and surfed me for the final chorus. Yeah, it was fun.

TD: What's your favorite thing to get at the deli?

BtB: Loosies.

Night Shop share video for rockabilly-informed new single "The One I Love"

Justin Sullivan conveys the sad-hearted romance of a classic crooner on "The One I Love." But Sullivan, who goes by the collaborative project Night Shop, doesn't just create a pastiche of a golden era of pop. His recondite references to empty convenience stores and writers like John Keats mingle with his cool and troublemaker character, a statement that resonates with the song's swinging, rootsy arrangement. And yet, all he wants is for his object of affection to give him a chance as he gallivants on a lively night around the city.

"The One I Love" is the latest single off of Sullivan's upcoming full-length effort In The Break, which will be released via longtime bandmate Kevin Morby's label Mare Records. Juan Rodríguez


Jason Bemis Lawren cereleases debut LP at Rockwood 3 on 09.07

Touring can be a disorienting experience. Shuttling from one place to the next, day after day, can make musicians feel like perpetual guests in whatever town they're visiting. But it rewards hearty travelers able to find beauty in constant change. Singer/songwriter Jason Bemis' new single "How Fast Can You Pack?" embraces this peripatetic lifestyle, finding solace in a hard-won understanding that life's journeys can be both exhausting and illuminating at once. 

In the song, Bemis walks the length of Las Vegas' glittering downtown strip, an endless series of hotel hallways, and wanders around other architectural mysteries inside a breezy, acoustic folk tapestry. There's a sense of fatigue here, but also of mystery of what might be found hiding around the next bend. The song gains a sharp charge from guest vocalist Heather Woods Broderick (of Efterklang, Sharon van Etten), who raises the tension just enough to leave listeners comforted, while wanting more. 

The song is a preview from Bemis' upcoming debut album Another Hotel Hallway. Stream the single below, and see him at Rockwood Music Hall, stage 3 with opener Lauren Balthrop for his album release party on September 7. - Mike Levine (@goldnuggets)


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