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The Burning Sensations ignite in debut self-titled record

Igniting with no apologies, the Connecticut collective known as The Burning Sensations debut with a self-titled album that does not take itself all that seriously, and that is its appeal. The opening track “Wanting More” has a bite to it, why with its sharp-lingering guitar chords, slithery bassline, and playful vocal delivery, it is wide open to listener interpretation: funky, alternative, retro—take your pick. Tracks like “Murky Water” have a tinge of that same theatricality and over-the-top vocal delivery that shot Modest Mouse to fame at the start of the new millennium. “Sensitive Guys” is as hilarious as it is tragic, and “Do Me” is upbeat and tough with its rock edge. Overall the album introduces the band with clarity because the group’s sound is well-established, and that is a great selling point. Listen to the cool and groovy guitar in “Sweat Wiper” from the new record below. - Rene Cobar





Will Orchard starts the year right with new record "Old Friends On The Mountain"

One can imagine Rhode Island’s Will Orchard thoroughly immersed in the writing and recording of his folktronica 2020 record Old Friends On The Mountain: the richly-layered instrumentation, the most-sincere emotion in the vocals, and the tranquility of it all are tell-tale signs of a sweet escape for the artist. As a listener, one is both witness and partaker of an experience carefully orchestrated for attentive ears. For both the sonic epicurean and casual listener, there is plenty to dab in, such as the serene acoustic strings of the opener “Until It’s Found,” which join an irresistible rhythm where Orchard’s voice reverberates. Tracks like “My Belly Is Full Of Hydrangea” are much more upbeat, and topped off with buttery smooth trumpet solos. There is an emotional tinge to the record, not a forceful one or so evident, just right for the man-nature connection it establishes. Listen to the heavy-exceptional bass in “Turning Back Again” from the new record below. - Rene Cobar





Mousa ushers in nostalgia in new record "Mousatron X"

If you are in the nostalgic mood most of us are in after the decade came to a less-than-spectacular end, then we recommend a surefire stimulant: Maine’s Mousa has just released Mousatron X, a solid record worth the six-year wait. The album is a short treat that hits all the right spots as it fluctuates from galactic-noise themes like those in the opener “Silent In” to bedroom pop/psych-infused synth swells that complement a sonorous croon. The record captures the intimacy and infinity of its concept: the music found in tracks like “Cower” drains into the listener’s mind to create nostalgic images so infinite. Stream the delicate balance of grand sounds and homely vocals that is the album’s closing track “In Between Dreams” below. Happy New Year, New England! - Rene Cobar





Goose debuts year-end single "Wysteria Lane"

Goose, the band from Norwalk, Connecticut, surprised with a year-end single so fun it had to save it for last. The year-closing single “Wysteria Lane” is funky with its smooth ‘70s guitar riffs, hot bassline, and reverberating vocals that evoke a festive feel. Known for its excellent live performances, Goose is a group that injects that communal feel into each piece, and this new single is no different: close your eyes, turn up the volume and feel the vibe so lively. The final seconds of the track are exquisite; the overall composition is primed for a solid live showing to come. Stream the new track below to kick off your weekend right. - Rene Cobar

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Sarah Golley spills her heart in new record "As We Crawl"

An authentic poet is Norwalk, Connecticut’s Sarah Golley: the artist’s complete devotion to maximum exposure is the trademark of her latest record As We Crawl. From the spoken poetry of the opening track, “From the Sea,” to the grandiose string-instrument-driven composition that backs up her soulful vocals in “At a Snail’s Pace” the album opens majestically. The honeyed symphonies continue in tracks like “Over Time” and “Into the Flames” where the melodious grand piano keys fire away as Golley dramatically spills her heart; the music takes on a rich theatrical form that is as exquisite as it is immersive. Sarah Golley channels ferocious energy in the vein of artists like Amanda Palmer, yet her music has a softer touch to it that is rooted in the theatricality of it all. Tracks like “On the Treadmill of Thought” hypnotize with vibrant harmonies and thunderous kick drum patterns. From the onset, As We Crawl requests one surrender their thoughts and emotions entirely to each piece, weaving both for an experience unique, and satisfying. Listen to the gravity with which “Through a Black Hole,” from the new album, blossoms below. - Rene Cobar, photo by Jesse Newman

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